Dyana Santos Lives and works in Contagem, Brazil, b. 1987
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Dyana SantosArena, 2023Fotoperformance- fine art sobre canvas Hahnemühle e suporte de madeira200 x 133 cm -
Dyana SantosArena, 2023Fotoperformance- fine art sobre canvas Hahnemühle e suporte de madeira200 x 133 cm
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Dyana SantosArena, 2023Fotoperformance- fine art sobre canvas Hahnemühle e suporte de madeira200 x 133 cm
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Dyana SantosArena, 2023Fotoperformance- fine art sobre canvas Hahnemühle e suporte de madeira200 x 133 cm
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Dyana SantosArena, 2023Fotoperformance- fine art sobre canvas Hahnemühle e suporte de madeira200 x 133 cm
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Dyana SantosDesnortear , 2023Escultura em cobre66 x 40 x 2 cm
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Dyana SantosManifesto - Caminhos Abertos- série Manifestações, 2023Escultura em cobre e latão25 x 17 x 9 cm3/3
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Dyana SantosManifesto - Resistência - série Manifestações, 2023Escultura em cobre e latão19 x 12 x 11 cm2/3
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Dyana SantosAlienação - O Lastro do Capital , 2020Escultura vestível em aço, aluminio e zamak50 x 38 x 26 cm
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Dyana SantosLar Doce Lar , 2020Escultura em aço, fios e telas de cobre82 x 48 x 15 cm
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Dyana SantosObediência - O Lastro do Capital , 2020Escultura vestível em aço, aluminio e zamak48 x 42 x 35 cm
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Dyana SantosÓpio do povo - O Lastro do Capital , 2020Escultura vestível em aço, aluminio e zamak177 x 40 x 30 cm
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Dyana SantosAsfixia - série Crisálias, 2014Escultura vestível e articulada em aço, couro e latão34 x 38 x 22 cm
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Dyana SantosColuna - série Crisálias, 2014Escultura vestível e articulada em aço, couro e latão62 x 5 x 5 cm
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Dyana SantosHábito- série Crisálias, 2014Escultura vestível e articulada em aço, couro e latão50 x 57 x 35 cm
Dyana Santos, 1987, Belo Horizonte, MG, Brazil
Lives and works in Contagem, MG, Brazil
Dyana holds a degree in painting and sculpture from the School of Fine Arts at UFMG, where she also completed her master's degree and is currently an PHD student in Visual Arts.
Currently researches three-dimensional languages, often working with the anatomical measurements of her body to develop installations, wearable sculptures, and objects.
Using metallurgy and sewing techniques, undertaken by the women in her family, to steel and copper plates, her research is based on the influence of coloniality on her experiences and ancestral technologies and knowledge of existence.
Participant of the 9th edition of Bolsa Pampulha; she was selected by the 33rd Exhibition Program of the São Paulo Cultural Center, with the solo show "Arena", and is part of the exhibition "Dos Brasis: arte e pensamento negro" (Of the Brases: black art and thought). She has already won acquisitive prizes, taking first place at the 16th National Arts Salon in Jataí and the 7th Itabirito Regional Salon.
